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Movie dialogue loops and titles like “Jesus Frankenstein,” “Werewolf, Baby!” and “Werewolf Women of the SS” keep Zombie on well-established B-movie terrain. With a facile band and a particularly fertile collaborator in guitarist John 5, “Hellbilly Deluxe 2” is a more diverse and wide-ranging affair, from the industrial grind of “Sick Bubblegum” and “Mars Needs Women” to the garage-y fury of “Death and Destiny Inside the Dream Factory” and the bluesy, slide-fueled classic rock stomp of such tracks as “Virgin Witch” and “Burn.” Acoustic guitars (talk about horror) even pop up a couple of times.
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While “Hellbilly Deluxe 2” certainly captures the Saturday afternoon matinee spirit of his 1998 solo debut, it’s also a different kind of creature. Still, at this point in his career, his best move is to take these types of risks, and when he does so on the ten-minute closer “The Man Who Laughs,” with its underlying orchestral score by Tyler Bates (composer for the Halloween remakes The Devil’s Rejects and The Watchmen), the results are compelling and unnerving in a good way.Sequels are tricky in any art form, but Rob Zombie-who has revived the “Halloween” horror film franchise and has “The Blob” on his radar-certainly seems like the right guy for the job. It’s as if Rob Zombie’s trying to be something else, but still coming up totally Zombie. and Hellbilly Deluxe 2, LLC 29-01-2010 Hellbilly. extreme approach to music, Rob Zombie first made rock fans sit up and take notice with White Zombie the band he formed in 1985, initially in homage to his mus. Stopping short of breaking up the band, Zombie set out to make sure everyone know that he was the main force in the band, as if there were any doubt in the first place. Influenced by ‘60s garage rock, the vocals are run through a maximal amount of mid-range distortion and accented by tambourine clinks and organ riffs behind the usual crunch, but where bands like the Horrors make raw revival work for them, “What” is too calculated and processed to actually sound raw. Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool is the follow-up to Rob Zombie’s debut solo album Hellbilly Deluxe, released in 1998. Regístrate en Deezer gratis y escucha a Rob Zombie: discografía, top canciones y playlists. Just as White Zombie was on the verge of becoming the most popular metal band in the land, Rob Zombie decided he was an auteur.
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Chris Baseford’s production is thick throughout, notwithstanding the single “What,” a song Zombie and company wrote and recorded in only a few hours. Cease To Exist se estrenó el 2 de febrero de 2010. Listen to Burn MP3 Song by Rob Zombie from the album Hellbilly Deluxe 2 SE (Deluxe Explicit) free online on Gaana. His trademark “yeah” and monotone hoedown growl are still front and center, the B-horror movie references are still plentiful (Frankenstein, martians, witches, and two songs about werewolves), and the chugging guitars and dark, sleek beats are still trashy enough to be stripclub staples. “Jesus Frankenstein,” “Sick Bubblegum,” and “Mars Needs Women” are the same schlocky grooves that made up his five previous solo records and six White Zombie records. This could be because it was his first outing to include help from his bandmates (longtime touring comrades guitarist John 5, bassist Piggy D, and drummer Tommy C), but it’s probably more attributable to the fact that making this type of song is old hat by now. Returning with his first album since 2006’s Educated Horses after several delays following the record’s completion in 2008 - due to his work on Halloween 2, time spent shopping for a new label after 18 years of recording for Geffen, and, perhaps, a lack of public interest - Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. Love him or hate him as a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon.